“The Unkindest Cut of All”: Coloniality, Performance and Gender in the Courtroom and Beyond 18 Apr, 2016 GENERAL LAW 0
Literary Autonomy on Trial: The 1974 Cape Trial of André Brink’s Kennis van die Aand 18 Apr, 2016 GENERAL LAW 0
‘Black man in the white man’s court’: Performative Genealogies in the Courtroom 18 Apr, 2016 GENERAL LAW 0
Reading Choreographies of Black Resistance: Courtroom Performance as/and Critique 18 Apr, 2016 GENERAL LAW 0
What is Revealed by the Absence of a Reply? Courtesy, Pedagogy and the Spectre of Unanswered Letters in Mandela’s Trial 18 Apr, 2016 GENERAL LAW 0
‘I am the first accused’: Seven Reflections (and a Postscript) on Derrida’s Mandela 18 Apr, 2016 GENERAL LAW 0